| Photos (see all 19 | slideshow) |
Directed by | |||
| Luc Besson | |||
Original Music by | |||
| Eric Serra | |||
Cinematography by | |||
| Luc Besson | |||
| Christian Pétron | |||
Film Editing by | |||
| Luc Besson | |||
Production Management | |||
| Monique Pautas | .... | production manager | |
Sound Department | |||
| Michel Barlier | .... | foley engineer | |
| Dominik Borde | .... | sound engineer | |
| William Flageollet | .... | sound re-recording mixer | |
| Patrice Grisolet | .... | sound editor | |
| Marie Guesnier | .... | sound | |
| Matt Howe | .... | sound engineer | |
| Alain Lévy | .... | assistant foley artist | |
| Jérôme Lévy | .... | foley artist | |
| Isabelle Martin | .... | assistant sound engineer | |
| Eric Mauer | .... | sound effects | |
| Pascal Mazière | .... | assistant foley artist | |
| Simon Rhodes | .... | assistant sound engineer | |
Camera and Electrical Department | |||
| François Gentit | .... | assistant camera | |
| Vincent Jeannot | .... | camera operator: second unit | |
Editorial Department | |||
| Fanchon Brûlé | .... | first assistant editor | |
| Catherine Constant | .... | assistant editor | |
| Frédérique Recoque | .... | assistant editor | |
Music Department | |||
| John Altman | .... | conductor | |
| Orchestra del Teatro alla Scala di Milano | .... | musician | |
| Claude Serra | .... | executive music producer | |
| Antonino Votto | .... | musician | |
| Ray William | .... | executive music producer | |
Other crew | |||
| Marc Biehler | .... | diving director | |
| Rachel Griffiths | .... | script supervisor | |
| Gabrielle Mairesse | .... | press attache | |
| Roland Ory | .... | helicopter pilot | |
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| Peuple migrateur, Le | Lektionen in Finsternis | Microcosmos: Le peuple de l'herbe | Grand bleu, Le | Red Crabs Crazy Ants |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb France section | Add this title to MyMovies |
I was a fan of Luc Besson since 1997, when I saw "Léon". And since I saw that movie, I scoured every video store looking for his films. Some were easy to find (The Fifth Element and Nikita were broadcasted), some weren't ("Subway" and "The Big Blue" had to be imported). Atlantis was the kind of movie I never expected to get my hands on. So you can see what I looked like when a German site had the video on stock. I waited two long months, expecting to see that movie I always wanted to see. When the movie finally arrived, I turned off all the lights, covered the led of the video, covered the little light of the TV and sat in my room with the stereo real loud. And the movie was a child-like dream. I heard many people saying it was a failure, I heard many people saying it was boring... It's all lies. I can't describe the movie by writing what I thought of it. It's difficult to talk about a movie which doesn't talk to the ears but directly to the heart. Here we have the impression that there is another planet... down there. Like in the snake scene. She moves like the snakes do, but the water is so clear that it seems like she and the others around her are floating in a aetherium. And the impression I got during the movie was that sometimes we just have to open ourselves to the sheer experiences of life and let go. This movie plays in our minds like a beautiful dream, and there are few movies that can do it. The love of the director by the ocean has never been so clear. And by making this movie, he somewhat passes on his message and makes us love the ocean also. Full praise to this work of art! Besson never stopped amazing...