| Photos (see all 47 | slideshow) | Videos (see all 2) |
| Rosanna Arquette | ... | Johana Baker | |
| Jean-Marc Barr | ... | Jacques Mayol | |
| Jean Reno | ... | Enzo Molinari | |
| Paul Shenar | ... | Dr. Laurence | |
| Sergio Castellitto | ... | Novelli | |
| Jean Bouise | ... | Uncle Louis | |
| Marc Duret | ... | Roberto | |
| Griffin Dunne | ... | Duffy | |
| Andréas Voutsinas | ... | Priest (as Andreas Voutsinas) | |
| Valentina Vargas | ... | Bonita | |
| Kimberly Beck | ... | Sally (as Kimberley Beck) | |
| Patrick Fontana | ... | Alfredo | |
| Alessandra Vazzoler | ... | La Mamma (Enzo's Mother) | |
| Geoffrey Carey | ... | Supervisor (as Geoffroy Carey) | |
| Bruce Guerre-Berthelot | ... | Young Jacques | |
| Gregory Forstner | ... | Young Enzo | |
| Claude Besson | ... | Jacques' Father | |
| Marika Gevaudan | ... | Angelica | |
| Jan Rouiller | ... | Noireuter | |
| Pierre Semmler | ... | Franck (as Peter Semler) | |
| Jacques Lévy | ... | Doctor (as Jacques Levy) | |
| Eric Do | ... | Japanese Diver | |
| André Germe | ... | Philippino Diver (as Andre Germe) | |
| Ronald Teuhi | ... | Tahitian Diver | |
| Rosario Campese | ... | Waiter | |
| Franco Diogene | ... | Receptionist | |
| Tredessa Dalton | ... | Carol | |
| Constantin Alexandrov | ... | Dolphin Trainer | |
| Pierre-Alain de Garrigues | ... | Superintendent | |
| Claude Robin | ... | Taxi Driver | |
| Paul Herman | ... | Taxi Driver in U.S.A | |
| Nicolas Maltos | ... | Diving Coordinator on Platform | |
| Marc Planceon | ... | Paramedic | |
| rest of cast listed alphabetically: | |||
| Luc Besson | ... | Blond Diver (uncredited) | |
| Valentina Castellani | ... | Lady in elevator (uncredited) | |
| Christian Gazio | ... | Plongeur coinçé (uncredited) | |
Directed by | |||
| Luc Besson | |||
Writing credits | ||
| Luc Besson | (story) | |
| Luc Besson | (screenplay) & | |
| Robert Garland | (screenplay) and | |
| Marilyn Goldin | (screenplay) & | |
| Jacques Mayol | (screenplay) & | |
| Marc Perrier | (screenplay) | |
Produced by | |||
| Monty Diamond | .... | line producer: New York | |
| Patrice Ledoux | .... | producer | |
| Claude Besson | .... | executive producer (uncredited) | |
| Luc Besson | .... | co-producer (uncredited) | |
| Bernard Grenet | .... | line producer (uncredited) | |
Original Music by | |||
| Bill Conti | (US version) | ||
| Eric Serra | (European version) | ||
Cinematography by | |||
| Carlo Varini | |||
Film Editing by | |||
| Olivier Mauffroy | |||
Casting by | |||
| Nathalie Cheron | |||
| Lissa Pillu | |||
Production Design by | |||
| Dan Weil | |||
Set Decoration by | |||
| Patrick Barthelemy | |||
Costume Design by | |||
| Blandine Boyer | |||
| Magali Guidasci | |||
| Malika Khelfa | |||
| Mimi Lempicka | |||
| Brigitte Nierhaus | |||
| Martine Rapin | |||
| Patricia Saalburg | |||
Makeup Department | |||
| Michèle Constantinides | .... | assistant makeup artist (as Michele Constantinides) | |
| Catherine Crassac | .... | hair stylist | |
| Geneviève Peyralade | .... | makeup artist | |
Production Management | |||
| Bernard Grenet | .... | production manager | |
| Didier Hoarau | .... | assistant unit manager | |
| Michel Jullien | .... | assistant unit manager | |
| Marc Maurette | .... | production manager | |
| Patrick Millet | .... | production manager | |
Art Department | |||
| Michel Conche | .... | property master | |
| Alain Darthou | .... | construction manager | |
| Christian Gazio | .... | carpenter | |
| Julie Sfez | .... | set dresser | |
Sound Department | |||
| Pierre Befve | .... | sound engineer | |
| François Gédigier | .... | sound editor | |
| François Groult | .... | sound mixer | |
| Gérard Lamps | .... | sound re-recording mixer (as Gerard Lamps) | |
Special Effects by | |||
| Alain Guillé | .... | special effects | |
Camera and Electrical Department | |||
| Luc Besson | .... | camera operator: underwater unit | |
| Patrick Camboulive | .... | still photographer | |
| Irène Champendal | .... | first assistant camera (as Irene Champendal) | |
| Stefan Czapsky | .... | gaffer: New York | |
| Jean-François Drigeard | .... | electrician | |
| François Gentit | .... | second assistant camera | |
| Vincent Jeannot | .... | first assistant camera | |
| Jean-Pierre Mas | .... | key grip | |
| Christian Pétron | .... | camera operator: underwater unit (as Christian Petron) | |
| Jean-Claude Reux | .... | head gaffer | |
Casting Department | |||
| Pat Orseth | .... | casting: USA | |
Editorial Department | |||
| Yvan Lucas | .... | color timer | |
Music Department | |||
| William Flageollet | .... | music mixer | |
| Eric Serra | .... | music arranger | |
Other crew | |||
| Marc Biehler | .... | diving coordinator | |
| Elisabeth Chochoy | .... | continuity | |
| Quincy Z. Gunderson | .... | production assistant | |
| François Laurent | .... | optical engineer | |
| Jacques Mayol | .... | technical consultant | |
| Patrizia Pierangeli | .... | dialogue coach | |
| Marcel Rousseau | .... | technical engineer | |
| K.C. Schulberg | .... | location manager | |
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This was my 3rd stop (2nd real stop, I have decided not to count Fifth Element)into the world of Luc Besson, and i have to say I was mightily impressed, Leon is still topping my list, I was absolutely blown away by that, but it is almost impossible to compare the two as they are completely different in mood and genre. For anyone wanting to watch a fantastic dream of a film, with absorbing characters, true love in all its forms and some awesome underwater photography then this is for you! The characters are all formed perfectly, almost exaggerated but not, Jean Reno is his usual astounding self, and Jean-Marc Barr really out does himself, with Rosanna Arquette in a superb supporting roll. the story ambles along at its own pace but never stops or gets dull keeping you interested along the way, I don't want to go too much into it as it was kind of spoiled for my by reading too much of these boards, needless to say I was crying at one point, and that doesn't happen often. The score compliments the film perfectly, Eric Serra has done a wonderfully emotive score that almost interacts with the scenes along the way.
Overall I'd give this film a 9/10, yet again awesome direction, acting and soundtrack, and definitely in my top films! just a shame i've borrowed it off a mate and have to give it back tomorrow, it's definitely something i could watch again and again!